PILAR MIRALLES
sound artist / researcher
Artist statement
I would like to question our approach to artistic expression in the mass-market era, our capacity to perceive and interpret the world and the self, and our subsequent consciousness and freedom. I dream about and work for a way of creation, interpretation, and reception of art within an environment free of market domination, academic technocracy, and administrative deception.
As an artist, I am interested in the perceptive approach to creating situations and the literalness of perception while inhabiting them, their here and now. I feel that today's reality is a place where availability and immediacy have been absolutized. In such a reality, the simple fact of sitting in there and contemplating becomes extremely relevant.
In my artistis doings, I question the goal- and future-orientation in which we are embedded and which have led us to a crisis of presence. My practice is approached as a source of continuous reflection rather than finalized products, a space to dwell that has found its latest creative motor in those expired objects and abandoned places that remain despite oblivion.
Time passes. Stuff withers. Things become nothing but their memory. And memories can only live through someone.
Acknowledgments
Thanks to Jean-Paul Sartre for La Nausée, and John Kennedy Toole for A Confederacy of Dunces.
Thanks to Dada (dada m'dada, dada m'dada dada mhm, dada dera dada, dada Hue, dada Tza). Thanks to Fluxus. Thanks to what is meaningless, useless, and empty according to the mass-market society.
Thanks to all artists who have taught me to listen beyond notes and structures.
This open-source website has been kindly designed and developed by Giang Tran 😎. Still a work in progress!